Paul,
the young doctor with black hair and ice blue eyes quickly follows a
nurse in her 40s through the wide corridors of Saint Peter’s University
Hospital in London. The typical smell of disinfectant is in the air. They stop
in front of the delivery room’s swing doors through which you can see hospital
staff working hectically. Cecilia, the nurse, informs him in brief about the
patient whom he should help. “Sophie, a 20 year old woman, came earlier today
because of severe back pain. She was sent home with painkillers because the
doctor who examined her could not find anything. He thought that she was
suffering from menstrual cramps. Now she is back, I did an ultrasound and found
out that she is pregnant. The baby will be here any minute.” Paul listens to
the nurse in disbelief but knows that there is no time to lose. He pushes
against the heavy doors and hears Sophie screaming because of labour pains.
Showing posts with label narrative. Show all posts
Showing posts with label narrative. Show all posts
Friday, April 4, 2014
Thursday, April 3, 2014
Narrative: Little History of Photography
2nd Version: History of
photography - narrative
Boulevard du Temple, taken in 1839 by painter and chemist Louis Daguerre,
is hanging on one of Louvre’s walls and is watching the tourists who pass by.
Suddenly it notices a man in his 40s with shorts and a t-shirt who looks very
dissatisfied with his camera. The photo can hear him moaning that the camera he
bought does not take pictures satisfyingly. Boulevard du Temple laughs to
itself and thinks of the time it was taken. The photo is sure that if this man
could hear the story of photography, he would appreciate the tiny device he is
holding in his hands.
The day the photo was taken was a very special one. Daguerre was the first photographer who managed to depict a person on a photo. Because of the long exposure time it was impossible to photograph moving objects such as passersby. Nevertheless, the man on the photo remained still long enough and so became part of this historic photo. However, it was not the first one that had been taken. In 1825 Joseph Niepce photographed Le Gras in France. Niepce’s idea was to apply bitumen to metal plates. The material hardened in the light and the unhardened rest was washed away. The metal plate was polished, the negative covered with ink and the photographed image would appear. Still, this early technique had its downsides. The plates were very heavy and expensive. Therefore, only rich people could afford being photographed. Secondly, exposure time was very long thus people being photographed needed something to lean on, namely props. This is why oval tables and pillars can often be seen on early photos. Long exposure would also lead to Mezzotint which means that photos have a soft black to grey to white gradation.
A few years later, Daguerre
invented his own technique, the daguerreotype,
where the plate would be coated with silver, exposed and then the remaining
silver would be removed. Time went by and photography became more popular. In
1840 almost every miniaturist had become a professional photographer because no
one was interested in miniatures anymore.
The photo remembers all these events as though they were yesterday. The
tourist in the museum should be grateful for all the people who worked on
developing photography and cameras which led to what he is holding in his hands
right now.
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Comment:
My fellow students had some very useful suggestions for my text. They pointed out that the introduction should be separated from the main text. They also felt that there was no connection between some sentences so I rewrote these parts.
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